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Toni Deaver Blog

Networking or working for the Break

Two days ago, I attended a BIG (meaning many people attended) birthday party on a Friday night where I met people in entertainment, and then yesterday, Sat, I auditioned for a group that helps young new talent get in front of movers and shakers in the industry.

Looking at Sat first: After my acting and singing audition I was told I should be acting all the time, but since I’m neither young nor new there wasn’t a place for me in their group.

I’m what they gently referred to as “seasoned”.

That makes me think of a great cut of steak, but I digress.

Should I in fact be acting all the time?

I’d certainly like to be.

The Sat. event I attended for the group costs a lot of money, but they are training-often from scratch- people who want to be in the industry and the group is very well attached in Hollywood.

So it seems to be a worthwhile investment in a career.

I’d love someone to take my “seasoned” hand and help me makes the contacts that would help me!

But they agree with me, I shouldn’t pay for training and workshops I could probably teach.

So, they’re discussing the possibility of creating a professionals pkg. for people like me, but I don’t know how the scenario will play out.

Still they have a history of success, I’d love for there to be a way for people like me to work with them, but that is not today.

Which brings me to the BIG BIRTHDAY PARTY.

There I met a caterer who graduated from Emerson College, the same year I left BCM.

That was fun to rehash 1980s Beantown.

I met a Director who said he was doing projects where he is frequently looking for someone like me, a seasoned, but not star name, actress.

I met a Novelist whom I enjoyed chatting with for a long while and he introduced me to an executive producer looking for projects to invest in.

Which I have, and my friends do.

Who knows, perhaps there will be a role for me.

I also met a director whom I was able to steer to a film festival he could enter, where the prize is 1M to make a feature.

And I met a frustrated animator, who’s willing to work for nothing on a short another friend of mine is producing, just because he wants to use his talents.

So all in all, I got leads and I helped other people with leads.

As long as we all follow up and follow through, there’s value in that as well.

I don’t HAVE to be jealous of those new people getting a chance at an easier path than I’ve had with the group.

I don’t have to be, and today, if I am, it’s buried deep enough I don’t recognize it.

When I was young and new, I would’ve LOVED the opportunities that group offers.

I don’t want to be a person who’d deny someone else that chance to succeed.

And I don’t.

I just want to be working all the time too.

Not in place of– also.

The truth is, as much as I love the work of acting and directing, and I really, really do, it’d be easy for me to let it overwhelm my relationships with my family.

I need to look out for them as well.

The industry eats up relationships and spits them out daily.

We read it in all the papers, magazines, see it on the TV shows.

It’s much harder work in Film and TV than most people think.

They are two similar though very different foreign countries.

They have similar speech, but very different accents, different word usage, customs, and traditions.

It’s often hard to know how to handle yourself in situations so you don’t embarrass yourself or others.

This can be very stressful to anyone working among these people groups.

I don’t want my family going the way of so many others.

It’s called balance.

Balance is achieved through constant motion.

Shifting your weight front, back, sideways all the time.

It’s hard work.

I love it.

I hope, since I’m continuing, when all is said and done, my family and I all think it was worth it.

Life is to be Lived, not endured

As I sit in my family room on an unusually warm Sat morning and think on the blessings God’s given me over the years, I notice a trend.

I was blessed with a husband and then kids, when I was happy with a life just acting and directing.

I was blessed with a day job when I was finally happy staying home being a mom and doing intermittent acting/directing/producing gigs around the country for people who’d known me before.

I was blessed with an empty nest and the the chance to reconnect with my husband of 20 + years when I’d finally gotten used to having constant chaos in my home

I was blessed with insistent requests for me to return to the  industry I’d loved in the past, when I’d finally agreed in my spirit to  just let it all go.

I was blessed with meeting an honest producer and an honest writer producer, and an honest actor/producer,  a hard working manager brand new to my life, who are going all out to make projects they can work with me in.

A publicist I’ve known over 20 years, has come to me now wanting to work with me when, for the year since I’ve committed to return to the industry, I’ve been working on quiet deals.

HOW DOES THIS HAPPEN?

I think it must be in the letting go.

Not that I’ve stopped doing all I can to get out there and meet people, or  learn my craft better, or work hard to prove that I’m a team player.

I’ve just noticed when I hold on tightly to MY plans and what I want for MY life, things are just harder.

When I finally stop striving and appreciate the place I am in my life, Good things come to me.

I don’t think I’m unique in this.  I think thankfulness,  real appreciation, endeavoring to live a life that is loving and kind just opens windows that are closed otherwise.

I hope I can continue to be open to the future.

I hope I can continue to be grateful for the now

I hope I can let the past be where it is, learn from it, but not bring it with me.

I hope I keep learning.  Life is to be lived, not endured.

 

 

 

It’s Oscar Night all over the country

February 24th is quickly approaching.

Many, though not all film/television professionals  and those who wish to be, will be tuning in to see what and who takes the honors and what the filmmakers have to say about the work.

As much as anything else there is a particular value for the non-professional to know what the big boys/girls at the top their game look like.

You may be a fan of  their or someone else’s work.

If you are a fan of a film or a film maker, know why!

Now, take your knowledge of who you like and why, add to that the knowledge of what they look like and you are set for success.

Think about it,  you can recognize them when they enter the elevator or pass you at the market.

They don’t know you, but that’s okay.

Just ask them if they are who you think they are.

If they say no, no harem no foul.

If they say yes, introduce yourself, and tell them you are a fan .

Thank them for their contribution to  your life.

Let them know what their work meant to you.

Then leave.  Odds are good, if you’ve been honest, they will want to talk with you at least a moment more.

They also like that film, that’s why they made it.

And who doesn’t like to be thanked?

I can’t think of anyone.

But thanks must be genuine.

BS is very recognizable.   If you don’t have something nice to say, don’t say anything. Let them enjoy their privacy.

But if you really do like their work and you know why, and you bump into them in a public place, thank them and Tell Them Why.

We all wish to know if we’ve impacted someone’s life positively.  And it’s great when we find out we have.

So do your homework.  Find out who makes the films you love.  Identify your passion for it/them.   Thank  the film maker  for their contribution.toni_huges_deaver_23dd

Don’t think of this as manipulating someone.

You can’t control outcomes of a conversation.

But you can take positive non threatening action to get in front of the filmmakers who’s work you admire.

 

Marci Liroff talks about your demo reel +

The holidays are just over our shoulders.

Breaths of travel, family, friends, parties, babies, love, laughter, hope- linger around the ears of my heart

It was fun, it’s over,  I’m ready to work.

One of the most important tools any actor needs to have in their arsenal is a demo reel and a picture that looks like them

A cleanly edited example of their work.

I coach actors for auditions, and on set.

I’ve directed actors in various plays, shorts, etc.

Casting roles is all about the picture first.

If  you don’t like your picture and you get called in, you were not who they wanted.

They wanted the person in the picture.

Regarding your demo reel, please check this out for important and timely advice  from casting director Marci Liroff

http://www.backstage.com/advice-for-actors/backstage-experts/7-rules-live-when-making-your-demo-reel/

I hope you rock 2013.

I have just finished editing my reel, so it’s ready to go, except- oh I should have a graphic on the cover?

The short answer is yes.  Let them see you before they see you.

And please look like your picture.

This is the most important and most often ignored things